How do we set the tone for an exhibition?

Most exhibitions are heavy in content and context. However, exhibitions are meant to bring new eyes to the stories. Through most of the visual idenities, an attempt has been made to approach each subject with a touch of contemporary twist to the design, while still attempting to evoke the relevant context and environment. The visual identity and direction is always important in setting the tone of each exhibition.

Yongle • Wanli
Emperors of the Ming

Asian Civilisations Museum, 2020, Unrealised Exhibition

An exhibition that compares and contrasts two very different Chinese emperors — one that is generally considered as one of the greatest Chinese emperors, and the other as the passive yet longest-reigning monarch.

︎︎︎ Identity and adaptations

Sikhs in Singapore:
A Story Untold

Indian Heritage Centre, 2021

︎︎︎ Identity and adaptations

I design
^︎︎︎
experiences. Now for screens, and previously for visitor spaces. In the late nights, I explore and make with rattan

^︎︎︎

^︎︎︎

. Hence I am this

^︎︎︎

and also that

^︎︎︎

. Regardless, I like to ask a lot of questions.

How do we set the tone for an exhibition?

Yongle • Wanli
Emperors of the Ming

Sikhs in Singapore:
A Story Untold

I design︎︎︎ experiences. Now for screens, and previously for visitor spaces. In the late nights, I explore and make with rattan

︎︎︎

︎︎︎

. Hence I am this

︎︎︎

and also that

︎︎︎

. Regardless, I like to ask a lot of questions.

How do we set the tone for an exhibition?

Yongle • Wanli Emperors of the Ming

Sikhs in Singapore: A Story Untold

I design
^︎︎︎
experiences. Now for screens, and previously for visitor spaces. In the late nights, I explore and make with rattan

^︎︎︎

^︎︎︎

^︎︎︎

^︎︎︎

Yongle • Wanli
Emperors of the Ming

Sikhs in Singapore:
A Story Untold